A little poetry today for your contemplation and enjoyment. I dug up John Curl’s translation of several songs commonly attributed to Nezahualcoyotl over on FAMSI. The translations are quite nice, though I’d ignore his discussion about Nezahualcoyotl and Texcocan religion, as he seems to have bought into the myth that this ruler was a King David-esque poet, monotheist (!!), and crusader against sacrifice. This spurious idea got its birth right after the Conquest, and has been incredibly difficult to get rid of since. If you want to read a systematic study of this misrepresentation, its origins, and its repercussions on Mesoamerican studies since, I recommend checking out Jongsoo Lee’s The Allure of Nezahualcoyotl: Pre-Hispanic Religion, Politics, and Nahua Poetics. Dr. Lee thoroughly dismantles this idea and provides a wealth of information about Colonial distortions of Nahua religion and poetry, particularly where it intersects the “Nezahualcoyotl as pseudo-Christian” myth.
Bad history aside though, Curl’s actual translations are enjoyable, and I invite you to check those out.
In the spirit of the aphorism “a picture is worth a thousand words,” I recommend stopping by the British Museum’s Aztec collection online. They have available 27 photographs (well, 26 if you ignore the crystal skull that’s been proven to be a hoax) of beautiful Aztec and Mixtec artifacts. Among them are statues of Quetzalcoatl, Tezcatlipoca, Mictlantecuhtli, Tlazolteotl, Tlaloc, Xochipilli, and Xipe Totec, as well as a rare mosaic ceremonial shield, a turquoise serpent pectoral, and a sacrificial knife. The images are thought-provoking and intense, as these objects speak wordlessly the vision of the Nahua peoples without Colonial censorship.
As a bonus, I located an excellent photograph of a jade mask of Xiuhtecuhtli, God of Time and Fire, which is a part of the British Museum’s collection but is not on their website. Thank you Z-m-k for putting your fine photography skills to work on this worthy subject material and for your kindness in sharing it under the Creative Commons Attribution Share-Alike 2.5 License.