I’ve been keeping an eye on the alleged human sacrifices in honor of Santa Muerte (Saint Death) in Nacozari, Mexico, since the news first broke a bit over a week ago. Since the initial story hit, it’s been a rather vexing (if not surprising) slog through the misinformation and tedious sensationalism, with the usual suspects coming out of the woodwork to push a new version of the tired “Satanic Panic” trope. I’m pleased to inform however, that a friend of mine, Joseph Laycock, just posted a story regarding the killings on the Religion Dispatches. With his usual wit, Dr. Laycock deconstructs that bit of irritating nonsense, and provides a nice bit of work tracking how this meme is rapidly developing. I highly recommend popping by and giving it a read.
If you’re wondering why I’m taking a moment to post news relating to human sacrifices offered to a Catholic saint, you might want to swing by Dr. Laycock’s other article on Santa Muerte. Among other interesting data of note, he comments on the theory that Santa Muerte is a syncreticism of Catholicism with Mictlancihuatl (aka Mictecacihuatl), the pre-Columbian consort of Mictlantecuhtli and Queen of the Dead. (Her names translate literally as “Lady of the Land of the Dead” and “Lady of the Deadlands People,” respectively.) The first time I came across information relating to Santa Muerte, I had the exact same thought come to mind. Both entities appear as skeletal feminine figures draped in sacred garb. While Santa Muerte’s dress most obviously echoes a combination of Saint Mary (and by extension, the Virgin of Guadalupe, who is herself a syncretism of Tonantzin) and popular depictions of the Grim Reaper, her functions remind me far more of Mictlancihuatl. Both grim ladies have power over material blessings and fortunes, as well as life and death. This combination of dominion over material wealth and death is a signature of the Aztec earth/death deities (the powers of the earth and the force of death are inseparable in this cosmovision, when one gets to the root of it) such as Mictlancihuatl, Tonantzin, Cihuacoatl, and Tlaloc, among many, many others. The offering of blood and human life to Santa Muerte seems to hint that at least some others see this connection between the new saint and the ancient goddess, the tragic manifestation of this understanding in the case of the Nacozari murders aside.
With that said, I do encourage you to check out Dr. Laycock’s informative articles on Santa Muerte HERE and HERE, and give the ill-informed and sensationalistic tripe from non-experts floating around on the web a miss. Stay tuned for an upcoming post to stay with the subject of death while linking back to my prior post on the two major anthologies of Aztec poetry.
I’m in a “How To” mood tonight. You may have noticed copal comes up a lot on this blog, and been interested in experiencing it yourself, but don’t have a place you can burn it with charcoal due to smoke or fire hazard. What to do? Well, I had the same issue myself, and came up with a quick and dirty incense stove design that charcoal-free and smokeless when used. For those who want to give it a try, I thought I’d finally upload photos and some crappy MS Paint blueprints.
Sure, you can buy premade stoves and that guarantees the product doesn’t suck, but they’re not always cheap, and I’ve never seen one that I liked. Building your own can be done for like $5, even less if you are good at scavenging stuff, and you can make it look like you want. Mine is made with a heavy black marble jar that’s quite pretty, and completely hides the jury-rigged wire holder and foil cup hanging inside. When it’s in use, you just see the glow of the hidden candleflame gleaming on the lip, and the incense vapor rising out of the top.
Incense stoves get hot and involve fire. This makes them DANGEROUS. Be VERY careful when building and using your stove, as you can burn yourself, your stuff, your pets, etc. if something goes wrong. These blueprints are only a very rough outline of how I built my own stove and are not intended to be professional instructions on how to build incense stoves. There is no associated guarantee of workmanlike quality, fitness for a particular purpose, or safety in either the blueprints or in the end product if you choose to build a stove after looking at these images. It can’t be guaranteed 100% safe, it involves an open flame. Basically, if you start a fire and hurt yourself/others/property, I am not responsible. You’ve been warned.
- 1 Container — This can be a jar, a soup can, basically anything with an open top that won’t burn. Theoretically, you could even just have an open frame made of wire or something that would support the incense cup, though that would be pretty ugly. It needs to be wide enough to hold the candle, and shallow enough to allow enough air to sustain the flame. Remember, copal vapor is heavy and will sink, and it can smother a small flame if it gets trapped densely enough around it.
- 1 Piece of Wire — A length of thin wire, about 6 inches long. I used copper as it tolerates heat well and was what I had available, though brass would also be an excellent choice. Whatever wire you use, it needs to be flexible enough to easily twist and bend, but strong enough to support its own weight and the weight of a nugget of copal in the foil cup.
- 1 Sheet of Aluminum Foil — This will be folded into the cup where the resin nugget will go. You’ll want a roughly a 3 inch by 3 inch square if you want to make the cup single-layered, which will maximize the heat transferred to the incense, increasing the strength of the scent.
- 1 Candle — A small candle, preferably a tealight or votive candle. Must be unscented, or you’ll have its smell dueling with the scent of copal. Disgusting. Need unscented tealights? Check Bed Bath & Beyond, I’ve seen huge bags of 100 for about $5. I’ve seen them in CVS convenience stores here in Boston in the bulk bags too, weirdly enough.
- Insulating/Supporting Material — Sand, rocks, the shell of a spent tealight candle, anything that won’t burn and can support the weight of a candle on top. You need to put this under the candle both to protect the surface below it from the heat and to adjust the candle’s height.
Here are the rough diagrams for building an incense stove like mine, with my notes on the process included in the graphic. +1 for crappy MS Paint drawings…
Finally, since making the cup and the wire holder for the cup are the hard part, I’ve included some photos below of my cup and holder in their assembled state. The foil is basically just pushed down through the wire hoop and the edges squished into gripping the wire. Be very careful to hold it up to the light to check for pinholes or cracks, the foil is delicate and tears easily.
Wow, it’s been a while. Sorry about that. The stuff I’ve been trying to write about kinda pulled a Three Stooges with a narrow door type thing, which was not helped by adding a dash of summer laziness.
Anyway, I’ve had some amazing strokes of luck lately in expanding my library. I’ve acquired a copy of the Bancroft Dialogues, a tough to find Post-Conquest Era volume of Mexica upper class speeches, greetings, and other daily life bits of talking. It’s a significant text because it’s the only early book that has full marks indicating pronunciation, so anyone who wants to learn Classical Nahuatl needs this one. It’s also interesting because it shows how the nobles spoke to their equals and superiors. As the relationship between the Aztecs and their gods was often framed as a noble/subject relationship, I believe the examples likely hint at how they spoke to the Teteo when offering worship. I’m looking for some nice examples to post that people might find interesting.
Another major acquisition has been a copy of the deluxe four-volume Anawalt & Burdan edition of The Codex Mendoza for a stupidly good price. It’s a lovely piece of printing that makes this bibliophile get excited in unhealthy ways. Bound in three quarters Morocco leather, HUGE format, and printed crisply on good alkaline paper, it’s physically well-made. And the info is delightful. There’s a full-color facsimile, a black and white facsimile with parallel text translating the Spanish commentary, and two volumes of essays about the codex and its contents. Very nice! There’s an essay on the honorific warrior uniforms that was particularly interesting and will likely provoke a post at some point. It also gave me a lot of tips on how to spot priests in the codices based on dress and body/face paint.
Lastly, the same gentleman who sold me his copy of the Mendoza just agreed to part with his Dibble & Anderson edition of the Florentine Codex to boot, for a price I never thought I’d see on that set.
The upshot of all this frenzied book-greed for my readers? If you have questions that relate to stuff that’s covered by these texts, I may be able to help. My time’s limited, but so long as it’s reasonable I can try to look something up for you.