Mesoamerican Culture, History, and Religion

Posts tagged “glyph

Update: Updated & Expanded Links For The Cantares Mexicanos & the Ballads of the Lords of New Spain

Sharp-eyed reader M.P. spotted some changes on the University of Texas websites for the Ballads of the Lords of New Spain and the Cantares Mexicanos.  Thanks to their timely alert, I’ve updated my links to the full texts and bonus materials for the two foundational collections of Aztec poetry and song.  As an extra stroke of good fortune, since my original post they’ve added the Nahuatl-English Dictionary & Concordance volume that originally accompanied the print edition of the Cantares Mexicanos.  Just like the main volume, it is also freely available as a downloadable PDF.

Click HERE to check out the updated post!

Flower and Song, Plate 2 of the Codex Borbonicus

Flower and Song, Plate 2 of the Codex Borbonicus


Aztec Art Photostream by Ilhuicamina

Happy New Year’s!  Instead of fireworks, let’s ring in the new year with a superb photostream from Flickriver user Ilhuicamina.  This set is of exceptional quality and covers many significant artworks excavated from the Templo Mayor and safeguarded by INAH at the National Museum of Anthropology in Mexico City.  Take a look!

Click HERE to visit Ilhuicamina’s Aztec Art Photostream!


Ballads of the Lords of New Spain & the Cantares Mexicanos

Fantastic news!  I recently picked up a copy of John Bierhorst’s English translation of the Ballads of the Lords of New Spain (better known as the codex Romances de los Señores de la Nueva España), and discovered a note in the prefatory material of great interest.  The University of Texas and Stanford University have completed an incredibly generous project, something that I’ve been hoping someone would do for years.  Enough suspense, I’ll tell you what it is now.

Complete, full-text copies of both the Romances and the Cantares online, complete with commentary and material for comparative study of the two song texts, a Nahuatl-English concordance dictionary, relevant photos and scans from various codices relating to poetry and music, and even audio of performances of some of the actual sixteenth-century drum rhythms intended for the teponaztli, or wooden slit drum, based on the only piece of sheet music preserved recording actual Aztec music.

Folks, this is a huge deal, I can’t state it strongly enough.  This is the vast majority of pre-Conquest and early Colonial Aztec poetry and song that has been preserved, in English and Nahuatl, searchable and complete, available for absolutely free, for the first time ever.  Most of this material has previously been extremely difficult to get a hold of or flat-out unavailable (no complete English edition of the Romances existed before 2009), not to mention expensive.  I own a near-mint paper copy of Bierhorst’s translation of the Cantares Mexicanos, which was produced in a limited run by Stanford University and has been out of print since 1985.  It took me almost two years of scanning numerous international book selling services online to eventually secure a copy for under $250.  You will never have to go through this difficulty and expense to study this collection of breathtakingly-beautiful poetry, as Stanford University has generously put a full copy of the Cantares Mexicanos on this same website in PDF format, that you can download for free.

Go HERE to the home page of the Ballads of the Lords of New Spain!

And go HERE to download a full PDF copy of the Cantares Mexicanos!

Also HERE for a full PDF copy of the Nahuatl-English Concordance & Dictionary volume for the Cantares Mexicanos!

Finally, go HERE for a list of post-publishing corrections to the Cantares!

In short, many thanks to the University of Texas, Stanford University, and Mr. Bierhorst for making this amazing resource available to all, it’s a move reminiscent of the great wave of public library and museum foundings in the USA in the 19th and early 20th centuries that have been such a force for learning and research.  To my readers, I highly encourage you to pick up a print copy of the Ballads in order to support more projects like these in the future, and to give back to those involved in this one.  Besides, it’s just nice to have a physical copy of a good book to curl up with.

I’ll be back to discuss these two works of Aztec poetry and song later on, but I just couldn’t wait to share these books with you now.  Happy reading!

Flower and Song, Plate 2 of the Codex Borbonicus

Flower and Song, Plate 2 of the Codex Borbonicus

*****

All links updated & more materials uploaded by U.Texas linked on 2/24/2013, courtesy of an alert reader.  Thanks M.P.!


Basic Nahuatl Pronunciation

As promised earlier,  I’m doing a quick writeup of basic Nahuatl pronunciation and spelling.  Or rather, I found a good one online that’s consistent with what the best modern dictionaries are using.  The guide below is shamelessly ripped from the Wikibooks entry that houses it, and is extended with a few notes of mine.  My thanks to the authors of this guide — Ptcamn, Icelandic Hurricane, and Jguk!  Go HERE to view the original entry on Wikibooks.  Or go HERE to have Wikibooks render a downloadable PDF of this guide (without my notes) for you.

UPDATE:  … and it appears that the guys who set up the Wikibooks entry ripped it from David K. Jordan’s Nahuatl page, and extended it with their notes.  The original is HERE, to give credit where it’s due.

Vowels

Nahuatl has four short vowels: a, e, i, and o. The vowels a, e and i sound similar to Spanish, while o can sound like either a Spanish o or a u. Unlike in English, where cuter and cutter have different vowels, the vowels of Nahuatl don’t change depending on what follows them.

Each vowel also has a long form, marked by a line or macron over the vowel: ā, ē, ī, ō. They have the same sound as the short vowels, but are simply held longer. [Cehualli’s note — these macrons are often omitted in actual texts]

Consonants

Nahuatl ch, m, n, p, t, and y are pronounced like English.

As in English, c represents an s-sound when followed by e or i, but a k-sound elsewhere.

Cu is pronounced kw, like in Spanish, or like English qu. Its inverse, uc, is the same sound at the end of a syllable.

Hu is pronounced like English w. Like cu, it is reversed at the end of a syllable, so auh sounds like ow, and iuh sounds like eww.

H alone, when not part of ch, hu or uh, may have represented a glottal stop, as in the Cockney pronunciation of bottle, or it may have been a sound like English h. Unlike English h, it is pronounced at the of syllables: ah isn’t simply a vowel, but a vowel followed by a consonant.

Before a vowel, l is the same as English or Spanish l. Before a consonant or at the end of a word, however, it is neither dark like English l in full, nor clear like Spanish l. It is a voiceless sound, like Welsh ll. This isn’t important to understanding, though, and it can be pronounced like an English l without introducing confusion.

Double ll is simply l, held longer. It isn’t a palatal sound like in Spanish, or a single l like in English.

Qu is used to represent the k-sound before e and i, like in Spanish. It isn’t pronounced “kw” as in English.

X is pronounced like English sh.

Tl is pronounced like t with the tongue held in a postion for l [Cehualli’s note — when this comes at the very end of a word, the l is very quiet, almost a whisper.  Not pronounced “tul” as one might think!]

Tz is pronounced like German z, or like English ts except that the t is pronounced even at the start of words — not like tsar or tsunami, where the t is silent.  [Cehualli’s note — like the ts in “kits,” in other words.]

Z is pronounced like English s.

Stress

Stress regularly falls on the second last syllable of a word.

Spelling

The spelling used here is a modern standardized system, in order to represent all the sounds of Nahuatl consistently. The spelling used in the original manuscripts did not always represent Nahuatl pronunciation accurately. In particular, vowel length and h were usually omitted.  [Cehualli’s note — in a rare few manuscripts, like Carochi, you may see diacritics and other odd marks.  Very rare, not something to worry about in general.]

Spelling & Pronunciation of Classical Nahuatl Words

Because the spelling of Nahuatl was originally based on spelling conventions in Spanish, Nahuatl texts are generally “pronounced like Spanish,” with the following exceptions and points to note:

  • Words are stressed on the second-to-the-last vowel (excluding U) regardless of final consonants
  • X is pronounced like English SH.
  • LL is pronounced like a long L (not as in Spanish).
  • TL counts as a single consonant, never as a full syllable.
  • U does not occur as an independent vowel. The only Nahuatl vowels are A, E, I, and O, although each of them can be long or short.
  • CU and UC are both pronounced KW.
  • HU and UH are both pronounced W.
  • H without an adjacent U represents a “silent” glottal stop (as in go_over); in modern Nahuatl it sometimes has a sound similar to an English H and may have had that value in some dialects of Classical Nahuatl as well. (For an English speaker, pronouncing the H like an English H is not really wrong and has the advantage that it helps one remember that it is there.)
  • C before E or I is pronounced like English S. (The letter S is not used in Classical Nahuatl.)
  • Z is pronounced like English S. (The letter S is not used in Classical Nahuatl.)

However over the centuries there has been considerable instability in the spelling of Nahuatl. Some common variations:

  • The letters U and O may be used interchangeably to represent the sound of O.
  • The letter U alone may be used instead of UH or HU to represent the sound of W.(At the time of the Conquest, the written letters V and U were usually reversed in Spanish from their modern values, so U indeed had the value of a modern English W.)
  • The letter H representing the glottal stop may or may not be written.
  • Vowel length may or may not be marked.
  • The consonant Y may be written with the letter I.
  • The vowel I may be written with the letter Y.
  • The letter Ç may be used in place of Z to represent the sound of S.

In this century American linguists working with modern Nahuatl have sometimes preferred spellings that look less Spanish (and “coincidentally” more English). Thus:

  • W may be used in place of HU or UH for the sound of W.
  • K may be used in place of QU/C for the sound of K.
  • S may be used in place of Z/C for the sound of S.  [Cehualli’s note — Ç is also in this category.]

In some cases weird letters, available on no keyboard and included in very few type fonts, are used for TL, CH, CU/UC, and TZ to stress that these are single consonants, not compounds.*


New Nahuatl Language Links

I’ve added a new Links section over on the righthand side of the page, called Nahuatl Language.  That section is where I’m linking material around the Net that relates to learning Nahuatl, particularly Classical Nahuatl (the language as it was a few hundred years ago).  This stuff is always handy for reference, and to get your feet wet if you’re interested in learning how to read some of the primary sources that were written down in that tongue after the Conquest.

These links relate to reading Nahuatl written alphabetically, not reading the glyphs/pictographs that were used in the Codices prior to the Spanish invasion.  I’m looking for material online that teaches a bit about the glyphs, though, and will link what I find.

Finally, the links in there now are in a mix of languages.  Molina’s classic textbook and dictionary are antique Spanish and Nahuatl; I included them for those who can read old Spanish (not me!) and due to their foundational significance in the study of the language.  The html version of Renee Simeon’s 1885 dictionary is Nahuatl to French, but I would expect the numerous free online translators could handle the short snippets of relatively-recent French without much trouble.

For my English-language audience, the Nahuatl Learning Environment is available in English (it’s also available in Spanish).  Just log in with the ID and password noted in the link title (repeated in the tooltip if you hover your mouse cursor over it), and you’re good to go — there’s no registration or anything like that.  Finally, the Freelang Nahuatl dictionary is a Nahuatl-English dictionary, and can be downloaded for offline use, or used via the web.  Handy and free!

I’ll do a post sometime soon on basic pronunciation to go with all these links.  I’ve seen the very formal charts on pronunciation that use the technical symbols and whatnot, but frankly I can’t read them, and I don’t know many who can.  If you have a copy of Frances Kartunnen’s Analytical Dictionary of Nahuatl, I find her notes on pronunciation to be the most helpful I’ve come across.

Anyway, enjoy, and I’ll add more to this section as I find it.


Library Acquisition: The Codex Mendoza & More

Wow, it’s been a while. Sorry about that. The stuff I’ve been trying to write about kinda pulled a Three Stooges with a narrow door type thing, which was not helped by adding a dash of summer laziness.

Anyway, I’ve had some amazing strokes of luck lately in expanding my library. I’ve acquired a copy of the Bancroft Dialogues, a tough to find Post-Conquest Era volume of Mexica upper class speeches, greetings, and other daily life bits of talking. It’s a significant text because it’s the only early book that has full marks indicating pronunciation, so anyone who wants to learn Classical Nahuatl needs this one. It’s also interesting because it shows how the nobles spoke to their equals and superiors. As the relationship between the Aztecs and their gods was often framed as a noble/subject relationship, I believe the examples likely hint at how they spoke to the Teteo when offering worship. I’m looking for some nice examples to post that people might find interesting.

Another major acquisition has been a copy of the deluxe four-volume Anawalt & Burdan edition of The Codex Mendoza for a stupidly good price. It’s a lovely piece of printing that makes this bibliophile get excited in unhealthy ways. Bound in three quarters Morocco leather, HUGE format, and printed crisply on good alkaline paper, it’s physically well-made. And the info is delightful. There’s a full-color facsimile, a black and white facsimile with parallel text translating the Spanish commentary, and two volumes of essays about the codex and its contents. Very nice! There’s an essay on the honorific warrior uniforms that was particularly interesting and will likely provoke a post at some point. It also gave me a lot of tips on how to spot priests in the codices based on dress and body/face paint.

Lastly, the same gentleman who sold me his copy of the Mendoza just agreed to part with his Dibble & Anderson edition of the Florentine Codex to boot, for a price I never thought I’d see on that set.

The upshot of all this frenzied book-greed for my readers? If you have questions that relate to stuff that’s covered by these texts, I may be able to help. My time’s limited, but so long as it’s reasonable I can try to look something up for you.